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E-Articles - Emotions and Thoughts in the Creative Process
How can you SEPARATE emotions and thoughts from the creative process? My answer is that you cannot - they're positively intertwined. When I was working on the Creativity Interviews, some artists I interviewed spoke about walking away from their art when they're feeling emotional taking a break or getting some distance. But others talked about using their art to process ch According to USFDA, a combination product is one composed of any combination of a drug and device; biological product and device; drug and biological product allenging emotional experiences; pouring their heart out into their work and using it as a cathartic and therapeutic experience. So we can see that there are a few different sides to this story. There are the emotions and thoughts we bring into our work with us, there are the emotions and thoughts we have ABOUT our creative work, there are the emotions and thoughts that are ; or drug, device, and biological product and fixed dose combination would include two or more combinations of drug. Examples of combination products may in evoked in us AS we work creatively and there are the emotions and thoughts we evoke in others when we share our work with the world. WHAT WE BRING IN WITH US Artists spoke of achieving, "the right mental landscape a mind clear of external disturbances", mental clarity - the "freedom from disruptive and negative thoughts, upset from personal life" or lude drug-coated devices, drugs packaged with delivery devices in medical kits, and drugs and devices packaged separately but intended to be used together. a positive outlook. (The Creativity Interviews, page 5) We want that clear mental landscape, and yet we bring a LOT into the creative landscape with us. When we embark upon creating something, we bring our whole selves into the process with us. Our prior experiences (and our thoughts and feelings about those), the state of our physical body (and our thoughts and feelings a here is enormous increase in the number of combination products entering the market in the recent years. Combination products have proven advantages but fixe out that), our hopes and expectations of the future (and our thoughts and feelings about those), our relationships (and our thoughts and feelings about those) and, of course, our creativity and creative skills (and our thoughts and feelings about those). THOUGHTS AND FEELINGS ABOUT OUR CREATIVITY Worth a special mention are those thoughts and feelings that we have A d dose combinations are still in the process of convincing regulatory authority on their advantages over the single ingredient formulations. Combination pro BOUT our creative lives. Do we deserve this time to create? Have we given ourselves permission to do it? What messages have we gotten throughout our lives about taking time for creative expression? Do we value our work? How has our work been judged by others and how do we feel about that? How do we judge our own work? It seems that self-awareness is key. The more we underst ucts have become life saving products for the pharmaceutical companies who doesnt have many innovative molecules in their product pipeline and have been inc nd these thoughts and feelings for what they are, the more time we spend evaluating them, questioning them, and discussing them with others, the better. With greater self-awareness and understanding, we're able to incorporate these elements into our work, instead of having them be something we need to fight against or overcome. And when we bring them into our work, our work easingly used in the product life cycle management. Even the companies having product patents are trying to extend their product life cycle through the combi takes on a new depth, since it's drawn from a fuller range of our emotions and thoughts. On the other hand, when we're left fighting against those negative and distorted thoughts and troubling emotions, and trying to work in spite of them, then stress, self-doubt, paralyzing procrastination and performance anxiety can result. AS WE WORK "Several artists spoke a nation products and maximize the revenues. But the companies involved in this practice are overlooking that they are burdening the patients both economically out surrendering to the unknown, acknowledging their spirituality (higher power, higher self) and being in flow being part of a larger cycle of creation, re-birth, and evolution over time." (The Creativity Interviews, page 5) Sometimes our desired mental landscape can be attained only by rising above everything we bring with us into the creative realm. When we reach t and physically. They need to rightly judge the benefits of the combination products and they have to even look at the risks involved when combining the produ his higher state of existence - a connection with spirit, with the universal creative flow, with all the art that's been created before us and all of the art that will be created in all of time - our real-life concerns fall away. This amazing experience is often cited as the reason we just can't stay away, we just can't give up our creative dreams even though we struggle wi ts. Some of the combination products were well accepted by physicians while others suffered. Companies involved in development of combination products are fi h them. "Many of the artists described highly creative times when they are responding to strong emotions and want to express them through their art transduce them from one form of energy to another. These emotions are sometimes brought on by other pieces of art they are witnessing the depth of their experience as a listener or observer inspires creative expression fr ding difficulty in defining their combination products and facing various challenges from selecting a combination to marketing it. Following aspects would a om them a desire to participate in the creation." (The Creativity Interviews, page 7) Sometimes I hear people say that they'll get to their creative project, their creative dream, as soon as things "calm down" in their life. And yet it's the creative process itself that's usually the most effective at bringing about the calmness of mind and emotional stillness that we dd to the challenges in developing combination products: Which markets to tap where the combination products can do fairly well? Which combination prod crave. And we need this calm and stillness in order to respect the stages of the creative process. The "incubation" period, for instance, when ideas are forming, percolating, developing or cocooning. "Watch me. I'm making a cocoon. It looks like I'm hiding, I know, but a cocoon is no escape. It's an in between house where the change takes place. It's a big step since yo cts are meaningful and rational? Which therapeutic categories to select? Which Combinations can address unmet needs of the patients? Do combin u can never return to caterpillar life. During the change, it will seem to you, or to anyone who might peek, that nothing is happening - but the butterfly is already becoming. It just takes time." - From Hope for the Flowers by Trina Paulus If we're not calm and centered, connected to that universal creative flow, we get impatient with this phase of creation and want to tions increase the patient compliance? What would be the developing cost? How to tackle the risks encountered during combination product developmen rush it along. And when we can surrender to the moment, give ourselves over to unknown results and lose ourselves to the present moment, we're achieving life skills that other people spend years to develop through meditation and other spiritual and bodywork practices. While my view of self-care certainly advocates a serene and peaceful life as an ideal, it's not about shoo t? As combination products don't fit into the traditional categories of drugs, medical devices, or biological products, the USFDA is in the process of devel ing away the more tumultuous emotions and harmful thoughts, but processing them, giving them a voice and then letting them go. And practicing our art is a GREAT way to do this. It provides a mirror, both in the moment and later, of how we were feeling and what our thought processes were in the moment of creation. OUR GIFTS TO THE WORLD That leads us to the last pi ping new procedures for reviewing their safety, efficacy and quality. Professional from academic institutions, pharmaceutical industries, health care indust ce of this topic the thoughts and feelings that our work may evoke in others, when we choose to share it with the world. Our expression can help those out there who have neither the words NOR the creative outlet to express their own feelings. I've experienced this myself, when I find that a songwriter has hit on my own feelings or experience and all of a sudden I have a w y and representatives from various regulatory agencies are working out to design the regulatory requirements for manufacture and sale of combination products ay to explain how I've been feeling. And not just explain, but express it by singing along. "When we feel, we begin to be alive. When we express a feeling, we share with the rest of the world that we are alive. When we express a feeling through music, we invite the rest of the world to share in our experience of the feeling, and to be alive with us." - Source Unknow . As there is an increasing trend of the combination products companies manufacturing such products should be able to tackle the problems involved in the de Imagine the impact of something you created while in the state of flow do you think someone who's listening to, looking at, wearing or handling that creation can experience even a tiny bit of what you were experiencing? We HAVE to believe that they can. In my work as a music therapist, I infuse every note that I play and sing with my intention to bring joy, life and hea elopment. They need to be wiser in analyzing the market trends and the regulatory requirements. Companies that provide selfless information through particip ling to my clients. And I see the evidence every day that my intention meets its mark. So meet your emotions and thoughts in the creative realm. See what colours they are, what they want to say and become and what forms they want to take. And then let them out to play with others. This article was originally published on the Creativity Portal website. © Linda Dessau, 2005 tion in industry events and feedback to regulatory authorities would be able to face the challenges and will be successful in developing combination products
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